Victoria Ahrens is offering follow up dissertation sessions for the Graphic Design students
on Monday 17th June
in three sessions
12:00- 13:30 for groups A + B + C
14:00-15:30 for groups E + D
16:00-17:30 for groups F + G
(if for some reason you cannot attend your designated time slot then go to one of the others)
All will be in room A336
She will focus on a plan for research over the summer and are very import and will be extremely useful for you to attend.
Speculations IV, June 2013, ISBN: 978-0615797861
If philosophy begins in wonder, then where does it end? What is its end? Aristotle said that while it begins in wondrous questioning, it ends with “the better state” of attaining answers, like an itch we get rid of with a good scratch or a childhood disease that, once gotten over, never returns. How depressing! Why can’t a good question continue being questionable or, in a more literal translation of the German, “question-worthy?” As Heidegger puts it, “philosophical questions are in principle never settled as if some day one could set them aside.” Couldn’t we learn from questions without trying to settle them, resolve ourselves to not resolving them? Couldn’t wisdom be found in reconciling ourselves to its perpetual love, and never its possession? Wittgenstein once wrote that “a philosophical problem has the form: ‘I don’t know my way about,’” which was the symptom of the deep confusion that constituted philosophy for him. But Heidegger loved wandering aimlessly in the woods, following Holzwege or paths that lead nowhere, stumbling onto dead-ends which could also be clearings.
–Lee Braver, “On Not Settling the Issue of Realism”
Download Speculations IV as a PDF.
Purchase print edition HERE.
–TABLE OF CONTENTS–
PART I: REFLECTIONS
On Not Settling the Issue of Realism
Politics and Speculative Realism
Levi R. Bryant
The Current State of Speculative Realism
Eileen A. Joy
A Very Dangerous Supplement: Speculative Realism, Academic Blogging, and the Future of Philosophy
Speculative Realism: Interim Report with Just a Few Caveats
The Future of an Illusion
Realism and Representation: On the Ontological Turn
PART II: PROPOSALS
“The World is an Egg”: Realism, Mathematics, and the Thresholds of Difference
Jeffrey A. Bell
The Meaning of “Existence” and the Contingency of Sense
Post-Deconstructive Realism: It’s About Time
Points of Forced Freedom: Eleven (More) Theses on Materialism
Realism and the Infinite
Paul M. Livingston
How to Behave Like a Non-Philosopher, or, Speculative Versus Revisionary Metaphysics
“The Horror of Darkness”: Toward an Unhuman Phenomenology
UCL’s Documentary Film Festival
UCL hosts the third edition of Open City Docs Fest in venues across campus and beyond, June 20-23.
This is London’s only documentary festival – a gift from UCL to our global city.
Bringing together some of the best filmmakers in the world and the researchers upon whom their films so often rely, the festival creates conversations in and around film.
The festival will screen over 90 films. The best will be judged by a jury chaired by actor turned documentarist, Jeremy Irons. He is joined by our own departing Provost, Malcolm Grant, and others from the world of film and academia.
Open City aims to be much more than a film festival. UCL academics introduce the films, provide screen notes for the audiences, chair post-screening discussions, and participate in numerous panel events. This year panels range from the future of copyright in the age of the internet to the challenges and rewards of studies that run across the life course, from 7UP to Birth Cohort studies.
You can visit our website for details of all events and booking arrangements
Issue 156: The Fiction Issue
For this special Fiction Issue of frieze, nine writers and artists consider how narrative will change as technology advances. Featuring: Fatima Al Qadiri, James Bridle, Ian Cheng, Orit Gat, Lev Manovich, Christiane Paul, Alexander Provan, Timotheus Vermeulen and Holly Willis.
Plus, Katie Kitamura looks at how art can visualize political realities through the artifice of fiction; Laura Pawson asks whether it’s an artist’s duty to bear witness to suffering; and Ben Lerner reflects on whether objects are more real than words.
More highlights include: Dan Fox talks to artist David Levine; Questionnaire with Dayanita Singh;Rajeev Balasubramanyam on national identity and ‘global fiction’; film director Pablo Larraindiscusses the merging of fact and fiction with Rob White; and an extract from Lynne Tillman’s novel-in progress ‘Men and Apparitions’.
In our regular columns: Tom Morton considers the changing face of graduate exhibitions; Kaelen Wilson-Goldie looks at prisoners of conscious and creative acts; and Jason Farago signs up to De Appel’s new course in art dealing.
Also: 37 reviews from 29 cities in 17 countries, including: ‘Umhlaba 1913-2013’, Iziko South African National Gallery, Cape Town; and ‘Sharjah Biennial 11’, various venues, UAE.
Read More | Subscribe Now
Frieze 1 Montclare Street, London E2 7EU, UK, | Tel: +44 (0) 20 3372 6111
Email: firstname.lastname@example.org | www.frieze.com
Academic Support Workshop Sessions
Year 2 Graphic Design Communication dissertation students.
Academic support at CCW/UAL have very kindly offered you a series of workshops to help you design your dissertation ‘research strategy’ and to help you with your presentations next week.
They will all be in room A336 and be run by Victoria Ahrens. Please contact her if you cannot attend any of these sessions at: email@example.com
These works will be invaluable and you should attend and will be a great help to your dissertation preparation. If you cannot attend the session you have been allocated to then go on one of the others.
Thursday 30th May 10.00-12.00: Groups A + B + C room A336
Friday 31st May 10.00-11:30: Groups E + D room A336
Friday 31st May 12:00-13:30: Groups F + G room A336
Friday 31st May 2:00- 3:30 room A336
For any who cannot make it to the previous sessions
The workshops are inclusive and open to all students.
They will cover your thesis proposals, what to include in them and how to present them, as well as how to construct a research strategy to follow on from your initial briefing session.
Please contact her if you cannot attend any of these sessions at: firstname.lastname@example.org
Picturing Propaganda: A Study Day
When: Sat 1 Jun 2013, 10.00-16.30
Where: Conference Centre, British Library
Price: £25 / £15 concessions
Book now for 01 Jun 2013, 10.00-16.30
Effective propaganda relies as much on images as it does on words. This study day will explore the role of visual communication in influencing ideas and changing behaviour. Academics and curators will discuss the history of visual propaganda, using fascinating (and sometimes funny) examples from the British Library and British Film Institute collections. The event is aimed at students, researchers and anyone with an interest in 20th century history, design, film or communication studies. Entry to the exhibition is included in the price.
The morning session will give a brief history of visual propaganda, discussing film, posters, leaflets, maps, stamps and more. The afternoon session will focus on three themes that dominate 20th century propaganda: nation-building, health and war. Our speakers will explore the different ways that these themes have been dealt with in the last century, comparing the methods of propaganda and the public response.
In collaboration with the BFI
Quorum, 29 May, Dave Beech
We warmly invite you to join us for QUORUM on Wednesday 29 May.
Dave Beech, Chelsea College of Art, will present his paper entitled
‘Spreading The Cost Disease: Handicraft and Art’s Economic Exceptionalism’.
Where: Rehearsal Room 1, Arts One, Queen Mary, University of London, Mile End Campus
When: 5:15 Wednesday 29 May
I will be developing the ideas of Baumol and Bowen, whose 1966 book ‘Performing Arts: The Economic Dilemma’ introduced the idea of the ‘cost disease’. This argument has been expanded recently by Baumol in his book on the cost disease of health and education. I will be asking whether the cost disease is an example of art’s ‘economic exceptionalism’.
Dave Beech is an artist in the collective Freee. The group exhibited at the Liverpool biennial in 2010 and has been selected for the Istanbul biennial in 2013, as well as exhibiting at BAK as part of the Former West project, Vittoria, Smart Project Space and Culturegest. He co-curated the exhibition ‘We Are Grammar’ at Pratt Institute, NY and edited the book ‘Beauty’ for Whitechapel/MIT. He teaches at Chelsea College of Art and is currently writing a book on art and economics for the Historical Materialism Book Series.